Drawing in the Face of Death: Motivations behind Algerian Cartooning during the Civil War, 1991-2002 War-Torn Algeria as Woman: Representations of Women during Algeria’s “Dark Decade,” 1991-2002 “My Name’s Muhammad but Everyone Calls Me Aisha:” Emasculating Jokes from Algeria’s “Dark Decade,” 1991-2002 "Women Forbidden from Going Out?:” Women’s Public Activism in Algeria’s Islamic Salvation Front Party, 1989-1992 Memory Activism, the Malleability of Time, and Writing in the “White” of the Past in Post-Independence Algeria Saïd Mekbel’s “Mesmar J’ha” Editorials and Emotional Mobilization in Algeria’s “Dark Decade” “Back to Black (Humor)? Laughter Amidst Repression in Algeria’s ‘Revolution of Smiles’” Performing Masculinity in Algerian Theater of the Interwar Period, 1926-1939 A “Terrorist” Despite Himself: Men and Masculinity in Algerian Spoofs of Pontecorvo’s The Battle of Algiers