Family Sagas and Checkpoint Dramas: Tragedy, Humor and Family Dynamics in Suad Amiry's Sharon and My Mother-in-Law “We want 5 troops dead for each tree they cut down”: Lamenting Green Carnage in Arab Women’s War Diaries Lebanon, the Land of Milk and Honey, Tabbouleh, and Coke: Orientalist, Local, and Global Discourses in Alexandra Chreiteh’s Always Coca-Cola Scandalous Women, Gay Men, and Biracial Children: Exploring Emergent Subjectivities in the Contemporary Lebanese Novel “I get to deflower at least one. It’s my right!”: Revealing the Precariousness of Hegemonic Masculinity in Rashid al-Daif’s Writings “Fight Rape” and “Gay is OK”: Gender and Sexual Politics in Beirut Graffiti Defacing Sectarian Leaders with Wadi’ al-Safi and Kermit the Frog: Beirut Graffiti and the Art of Reterritorialization Riding out Familial Drama and National Trauma in Tragicomic Palestinian Road Films “I couldn’t stand their sticky bodies!” Confronting Anti-Black Racism in Huda Hamed’s She Who Counts the Stairs “The Only True Love is the Love of the Stranger”: Violence and Exclusion in Adnan’s Sitt Marie Rose "Even Cows Have Failed to Escape this War": Precarious Environments in Palestinian Literature and Film