Homeward Bound: Toward a Pan-Levantine Acoustic Politics in Emile Habiby’s "Sudasiyya" Debunking fayruziat al-hawa: Listening as Individual Prerogative in Hoda Barakat’s The Stranger’s Letters and Disciples of Passion If I Forget Thee, O Alexandria: The Bande Dessinée as Intertextual and Metatextual Commentary on Egyptian Jewish Exile and Return