Rethinking Difference: Racial and Cultural Diversity in Baha? ?ahir’s Wa?at al-Ghurub Praksa, or Breaking Rule(s): Aristophanes, Tawfiq al-Hakim, and Egypt’s “First Broadway-style” Musical Comedy Re-imagining Migration and Gender in Miral al-Tahawi’s Brooklyn Heights and ᶜAlaᵓ al-Aswani’s Chicago. Negotiating National and Transnational Belonging in Laila Lalami’s The Moor’s Account and Rabih Alameddine’s The Angel of History.