This paper focuses on the emergence of the feminist artistic movement in Egypt. The research identifies and analyzes contemporary art practices in contemporary Egypt and examines how they challenge traditional norms and push the boundaries of what is acceptable in images in Islam. This paper will look at new media, techniques, and subject matter that challenge traditional Islamic art forms and themes, as well as exploring how contemporary artists in Egypt are navigating issues related to censorship, freedom of expression, and cultural appropriation. This research also suggests that political forces, from early Islam to today, have played a significant role in politicizing Islamic art, particularly regarding the use of figural imagery. Specifically, this study suggests that authoritarian regimes may have employed double standards in art practices to hide their vulnerability.