Montreal film maker Araz Artinian in her documentary "The Genocide in me", undertakes a personal journey to understand her identity. Much like Adrienne Rich's "Notes toward a politics of location", she begins by the geography closest to her: Herself; Her body or the embodiment of the Genocide in her. Araz attempts to seek the disappearing traces in the perpetrators' silences and the remains that attempt to bear witness in a touristic tour that she takes in Eastern Turkey - historic Armenia. This paper aims to examine through a feminist perspective of self-reflexivity Genocide as embodied knowledge and of "bearing witness" in the midst of the perpetrator's denial.